Mallaig Circular and Loch an Nostarie

Posted on 2021-09-04 by spodzone

On a whim, I spent my August bank holiday out and about exploring a new location: on the far west coast, Mallaig is home to the ferry port connecting to Skye.

Just to the south of the town lies Loch an Nostaire – a lovely shallow loch of clear pure water and indeterminate name etymology: the current spelling is clearly anglicised, although there are no mentions of the more obvious Gaelic Nostaraidh, but rather variations include “Nosaraidh” and “Nossery” according to the 1852 Admiralty Charts. One option is for the name to date back to Old Norse naust, a ship; an alternative derivation might be via Gaelic nòsar, juicy, sappy, white. This would be cognate with nòs, cow’s milk, which sits well with one of the tributary burns being called the Allt a’ Bhainne.

The Mallaig Circular walk leads from Glasnacardoch just off the Rathad nan Eilean inland to the loch, then up between the hills Creag a’Chait and Cruach Mhalaig before descending to Mallaig.

The view down the loch, especially from higher up, is beautiful: to the east the hills of Cruach Clachach and Cruach Bhuidhe are quartzite outcrops forming a backdrop behind an unnamed island on the loch covered with native Scots Pine trees; along the opposite side of the loch runs a prominent ridge where Morar schist pelite changes to psammite.

Classic landscape: small rocky boulders in the foreground, an expanse of grass, and the loch and hills beyond under a clear blue sky.

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Around St Fillan’s

Posted on 2021-04-23 by spodzone

I’ve lost count of the number of times I’ve driven through St Fillan’s over the years, always en route to somewhere else the other end of the A85, barely stopping a handful of times to take the obvious photo the length of Loch Earn. Even the couple of craggy rocky outcrops on the way into the village were much admired from the road but I think I stopped once to shoot them for their own sake.

So last Sunday afternoon I rectified matters, slowed down and parked in the usual layby and walked back through the village, over the road, around the golf course and up St Fillan’s Chair, admiring the mountains behind a little closer.

A day of symmetry – on the way out I noticed a view up the path to a small Church of Scotland kirk was particularly appealing; on return, the view along the loch was pure calm still reflection in the water.

Pure simple symmetry – the water reflecting the cool tones of blue hour on a grey day. Beautiful.

Prints and things are available from my main ShinyPhoto website: Loch Earn.

Loch Rannoch Sunset

Posted on 2019-03-01 by spodzone

A few photos from Sunday afternoon’s explorations around Loch Rannoch.

We walked through the Black Woods; whilst flying the drone near Camghouran I discovered remains of a building – a pile of stones and hints of mounds in the earth possibly in the shape of a former but’n’ben croft? – in a clearing in the forest.

Walking along the path through the woods, one comes across this clearing just off to the south; quite photogenic from ground level, it becomes even more interesting from 100m up in the air as the beautiful pale tree is apparently stuck on the end of a pile of stome rubble, the remains of some kind of building.
The impressively tall fir trees of Camghouran / Croiscraig from above the Black Woods of Rannoch

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Sunset on the shore was beautiful; contrasting deep blue ominous dark blue clouds and vibrant orange sunset across the water.

Beautiful glowing colours: warm yellow, orange and red sunset light contrasting with the thick passing clouds near Camghouran, Loch Rannoch
Beautiful glowing sunset gold and blue colours, near Camghouran, Loch Rannoch
Beautiful glowing sunset gold and blue colours, near Camghouran, Loch Rannoch
Beautiful glowing colours: warm yellow, orange and red sunset light contrasting with the thick passing clouds near Camghouran, Loch Rannoch
Beautiful glowing sunset gold and blue colours, near Camghouran, Loch Rannoch

Prints of some of these photos will be available through my ShinyPhoto website: photos around Loch Rannoch.

Caithness Holiday Day 4: Duncansby Head and Stacks

Posted on 2018-12-14 by spodzone

Ignoring the previous post about offensive misuse of woodland, my fourth day of the holiday started out pretty well, with a trip to John o’Groats – awful tourist-trap of a place but at least they’ve renovated the hotel since I was last there and the ice-cream (2 scoops) was excellent.

The famous hotel at John o’Groats. I’m pleased to see it’s had a much-needed renovation since I was last there. A total tourist-dump, but at least one of the shops offers rather good icecream on a sunny day.
The famous hotel at John o’Groats. I’m pleased to see it’s had a much-needed renovation since I was last there. A total tourist-dump, but at least one of the shops offers rather good icecream on a sunny day.
A ferry waiting in the harbour at John o’Groats
A ferry waiting in the harbour at John o’Groats

The sea stacks themselves are pretty awesome to behold, middle red sandstone showing evidence of having formerly been attached to the land but eroded away by the sea.

We proceeded to Duncansby Head – ignoring the lighthouse, walking down the coastline to the sea stacks. On the way, a large group – maybe 60 folks – were crowding some of the cliff-tops looking south, watching a small pod of Orcas swimming off distant headlands. Unfortunately the one kind of lens I didn’t have with me then was a long zoom – but the shouts of joy when one of the orcas blew or jumped were incredible.

The far north-east corner of Scotland – subtle haze looking south into the light through the mist. As I shot this from a well-known viewpoint, there was a crowd of approximately 60 humans around, all watching a herd of orcas swimming off the far headland.
The far north-east corner of Scotland – subtle haze looking south into the light through the mist. As I shot this from a well-known viewpoint, there was a crowd of approximately 60 humans around, all watching a herd of orcas swimming off the far headland.
Coastline around the far north-east corner of Scotland:
Coastline around the far north-east corner of Scotland:
A better angle on the stacks – with the sun bright due south at noon, I walked further down the coast beyond them and looked back up north instead.
A better angle on the stacks – with the sun bright due south at noon, I walked further down the coast beyond them and looked back up north instead.

On the way back, a disturbance in the water just away from the cliffs caught my eye: a peculiar kind of standing wave with the shape staying more or less constant. Obviously a conflict of two tides, one running along the north coast between the mainland and Orkney, the other flowing up the North Sea; on checking wikipedia later, that corner of the Pentland Firth is known for two tidal races, the “Duncansby Race” and the “Boars of Duncansby”.

Wave interference – a standing wave pattern at the eastern end of the Pentland Firth – a tidal race as the east/west and north/south currents conflict around Duncansby Head. I’m not sure if this is the Duncansby Race or even the Boars of Duncansby, but it caught my eye as I was heading back up the coast.

Waterfalls and Mountains

Posted on 2018-06-25 by spodzone

We spent Saturday afternoon driving around the Tay Forest Park – up to the Mains of Taymouth at Kenmore for lunch then along the south Loch Tay road to the Falls of Acharn – a comparatively steep climb up the side of the gorge and negligible water in the falls, but there was pleasant subtle light making the most of the colours on the surrounding rocks:

Nice rocks (typical Highland semi-pelite) covered with colourful beech leaves and green moss. Shame they’d forgot to turn the water on…

Next stop: just outside Ardeonaig there is a tiny layby where the view of the southern end of Loch Tay opens up. There was pleasant light on the sides of Ben Lawers too:

Still a favoured viewpoint right by the side of the South Loch Tay road – lovely soft mountainside illuminated by gentle light and shadow.

Driving further down the road to Killin, there was an awesome cloud inversion flowing around Ben More in the distance, outside Crianlarich – so I stopped at Lix Toll services and made a panorama of it:

Observant viewers will spot there’s even a tiny fragment of snow remaining toward the far left of the shot on Stob Binnein – not bad for the last week of June!

The final stop of the afternoon was at Edinample Falls along the South Loch Earn road – a small gorge but beautifully shaped with pleasant light through the surrounding trees and a decent amount of water flowing around the rocks.

An overview of the waterfalls at Edinample – lovely sunlight illuminating the rocks nearby

Around Strathnaver

Posted on 2018-04-07 by spodzone

Strathnaver is a beautiful area – rural life, peaceful and quiet, where the only traffic jam is a herd of sheep trundling along the road beside the loch. Simple and elemental, a play of sky and land, light and limited human influence.

Outside Altnaharra:

Beside Loch Naver:

In Glen Nant

Posted on 2018-02-28 by spodzone

One of my favoured locations for a quick hour’s stroll in Argyll is Glen Nant, south of the village of Taynuilt; in particular the Ant Trail which leads you through a small Caledonian forest – not very reserved as many of the trees were felled a couple of centuries ago to fire the furnaces at Bonawe, but it seems folks have repented a bit since then.

Herewith, some more back-to-earth simple landscapes: Ben Cruachan from Glen Nant and a couple of intimate landscape studies.

Autumn Holiday Day 1: The Nice Place

Posted on 2018-01-05 by spodzone

There’s no better place to start a holiday than the Nice Place(TM), even if it does involve getting up and on the road at 4am for a 165-mile drive up north.

The sun rose over Loch Beinn a Mheadhoin as I approached:

The Caledonian Forest at Glen Affric was its usual beautiful self – still not cold enough for morning mist in the trees, but brilliant morning sunlight and heavy rain caused a wonderful vibrant double rainbow while I was down by the river.

For a change, I took a long walk a couple of miles along the side of Loch Beinn a Mheadhoin, to be rewarded with a gorgeous view of Sgurr na Lapaich covered in pure white snow, across the water.

Other views from the morning:

The First Morning of Winter

Posted on 2017-12-26 by spodzone

I spent the morning of Dec 22 – the first day of winter – up Kinnoull Hill. There was beautiful mist rising from the River Tay as it meanders through the Carse of Gowrie.

I experimented with a few new compositions too: semi-abstract views of the hills of north Fife, the motorway/A90 junction and the river north of Perth as well.

My favourite two images were the fairly conventional view from above the cliffs, looking past the folly along the Carse of Gowrie. It’s not that comfortable a location to shoot – to get a clear view of the tower, one has to stand in a gorse bush…

Glen Clova

Posted on 2017-12-12 by spodzone

A couple of years ago, a photo-friend and I spent a happy afternoon exploring Corrie Fee in Angus; I remembered emerging from the trees in an impressive bowl of a glacial corrie. In August, I sought to repeat the experience, starting from the carpark nearby, but in my haste to get off the ghastly Forestry Commission track (more like a hard gravel road ploughed through the forestry, complete with yellow metal gantries), I wound up taking a different path. It also emerges from the trees into a bowl of a glacial corrie, but felt different and I couldn’t work out whether it was the wrong exit from the woods or what.

Came home and checked the geotagged images to find it was not Corre Fee but Glen Clova instead. That would explain a lot of things! And unsurprisingly, I now use ViewRanger to navigate whilst hiking.

Still, a couple of hours bumbling around in the grass finding interesting photos in a dramatic bit of landscape on a moody afternoon… Can’t complain.

As I was stumbling around in the foot of the glen, I stumbled across this lovely little burn tumbling its way through the hillside:

The surrounding rocks are quite dramatic – I was amazed at the green and purple hues of moss and primitive plants growing on the crags around

And much as I know the forestry is entirely artificial now, it still drapes over the landscape like a cloak.

Photo-Walk 2017

Posted on 2017-10-09 by spodzone

For several years, on and off, I’ve attended an annual Photo-Walk based in Inverary, Argyll. This year was no exception – always good to catch up with friends I’ve met on the walk previously.

As always, Argyll is a favoured place and Autumn a favoured season; the combination of light and landscape makes for enjoyable drives.

An auspicious viewpoint – right next to the public toilets on Inverary front – but it makes for a cracking view up the loch toward a spot of sunlight illuminating the hills around Ardkinglas.

This time the organizer, Richard, had brought a couple of props – most notably a bottle of Isle of Jura Superstition and I had one or two ideas in mind “just in case” we ended up at a particular favourite waterfall.

We made our way down the slippery embankment to the burn, where I set up tripod amongst the boulders to maximize the lead-in lines of water flowing around the rocks up to the waterfall – tripod placement was fairly tricky with a wide-angle (24mm) lens and the slippery lumpy terrain to negotiate – and then as the camera was busy taking 20s exposures (4x with pixel-shift) I trotted back and forth through the water firing a flash-gun down onto the bottle of whisky and surrounding rocks (manual triggering at 1/8 power with the diffuser out and reflector down to stop the light itself registering in the scene).

Product Placement
I quite like Isle of Jura whisky… not necessarily on the rocks though.

I had originally experimented focussing in on the bottle itself and using a wide aperture to restrict depth of field, but that did not fall naturally through the scene – the waterfall was still sharp behind – so I stopped-down to make everything in focus and relied on post-processing tricks in Affinity Photo to draw the eye onto the bottle differently instead – some Orton effect and various soft-light Gaussian blurs, masks and elliptical gradient fills to boost the saturation, make it all glow and still leave the bottle sharp and bright. The final toning came from Snapseed of all things.

I’ve done a little product-photography before but never tried blending [bad pun intended] it with landscape work, let alone pairing it with light-painting, but I think it worked – certainly compared to the straight shot, the bottle with its amber glow just makes it.

Morvern 5/4: The Road Back

Posted on 2017-10-05 by spodzone

And so we come to the last post in the series, a set of photos not entirely in Morvern but more on the way back up the shores of Loch Sunart and Loch Linnhe to the Corran Ferry, across and down to Loch Leven at Ballachulish.

There’s something wonderfully uplifting about rattling along these wee roads on beautiful sunny days, admiring the light.

Morvern 1/4: Approach

Posted on 2017-09-17 by spodzone

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The West coast of Scotland – Lochaber, Argyll and further north – is well known for its amazing scenery. Earlier in the year I had a look around on Google Earth and thought the landscape looked pretty impressive opposite Mull around the Ardtornish area on the Morvern peninsula.

It certainly did not disappoint. Even having just driven 4 hours all around Fort William, across and round Loch Eil at great length (single-track road with passing places and a 60 limit), I had to stop to admire the crystal clear blue sky and lines of mountains receding into the distance:

There followed a short drive down to Loch Arienas, which was also just beautiful – blue water reflecting blue sky:

Just One Photo

Posted on 2017-07-10 by spodzone

Black Spout Waterfall, Pitlochry

Some days you only need to come away with one landscape image to justify an excursion.

On Saturday I set sail with Doglet and a friend and strolled through Black Spout Woods around Pitlochry, up to the viewpoint across the gorge where you can see the full height of the waterfall, and then round to the more accessible bit near the top of the falls, which still takes a fair amount of scrambling around on the river bank to get down to.

A nice stroll through the woods, a view across the gorge to the full height of the waterfall, some scrambling around on the banks to get down to this level (a small fraction of the total height down from the top) with friend and dog… A good way to spend an afternoon

Technicalities:

There are three conscious aspects to this shot:

Composition

I wanted to make the most of the 15-30mm lens, so with a bit of wiggling around at the scene I found a spot right in front of the cascades that would showcase the 16mm ultra-wide field of view with a strong foreground. Nothing clipped; there’s negligible cropping except for lens-correction. There’s something in each pair of corners: the strong diagonal line of the dead tree-trunk in the foreground is echoed by the three distant trees in the far top-left; the negative space of the burnt-out sky has an echo in the expanse of run-off water in the bottom; treated as three stripes, there’s a balance between the height of the frame given to the run-off, to the bright white cascades, and to the woods+sky at the top.

Sensor controls

I made 10 source images on the Pentax K-1, varying the exposure as follows:

f/13.0 1/50s; f/14.0 1/8s;
f/16.0 0.4s; f/16.0 0.5s
f/16.0 0.5s; f/16.0 0.8s
f/16.0 1/4s; f/16.0 1/8s
f/16.0 1/8s; f/18.0 1/6s

This set of exposures spans a large contrast range from bright grey sky down to dark shadows in the rocks; it varies the shutter speed so at least a few will make the water look like brushed cotton; it varies the aperture partly to cater for the range of shutter speeds, and partly so as much of the shot as possible has a frame with maximum detail before diffraction. Enough data that enfuse could find a good midtone maximizing local entropy (detail) at every pixel.

Each of the above had pixel-shift enabled for greater resolution, totalling 40 frames of 36MPel resolution. The shutter was open for a combined total of 12s.

Post-processing

I used my open-source Pentax K-1 pixel-shift workflow on each of the 10 images above, and then reused it again to blend all 10 together into a combined HDR average. Opening this in darktable, I proceeded to correct lens-distortion, finalize the crop (16:10 aspect-ratio, one of my favourites for landscape), set detail modules (no need for noise-reduction! some balancing of detail, local detail, equalizer modules though) and exposure, toning (including tonemapping and low-pass filter) and colour (Velvia). There are not many localized modifications, but there are significant grad-ND filters both down through the trees and, opposing that diagonally, up from the bottom of the frame, along with two instances of the vignetting filter (one significant, one just clipping the corners); there is also extra local contrasted masked into an area around the dead tree trunk. Finally I opened the image in The Gimp and ran the G’Mic filter suite including colour-grading twice (once conventionally, once with extra highlight/shadow duotone effects, blended together – this has the side-effect of changing the tonality in the green leaves to make it look brighter/sunnier than it actually was). A tweak to the curves to lift the overall gamma and then I overlaid my favourite texture image, a photo of a sheet of Hahnemuehle Photo-Rag paper, in soft-light mode to soften the contrast and add a small amount of texture into otherwise barren areas.

Why this Workflow?

Working this way hits a sweet-spot in terms of convenience and image-quality.

I did not fall in the river. That’s a good start.

With such a wide field of view, every centimeter counts when choosing the location. With the 15-30mm lens I was able to experiment, iteratively varying location and focal length, until an optimum position was found, all the while seeing exactly what the final composition would be in live-view.

Pixel-shift – moving the sensor around in a 1px square pattern – works as a great way to increase the resolution.
The alternative would be to shoot a panorama, but that would still require HDR blending of frames as well as risking motion-artifacts in the trees; with just HDR on its own, the ghosting of the leaves from averaging multiple frames is a more pleasant indication of movement rather than errors in stitching. Additionally, shooting a panorama would require just as much care over camera position but would not allow a preview of the composition.
As a hybrid option, with cameras that lack pixel-shift or equivalent technology, one could compose approximately and then vary the tripod position subtly to emulate hand-held camera-shake; this is almost identical to pixel-shift in terms of super-resolution, but varying the camera position risks introducing artifacts from lens-distortion and parallax between foreground and distant parts of the scene, that pixel-shift avoids.

Additionally, shooting every frame 4x over, automatically, increases the overall exposure time into multiple seconds, even in daylight, which avoids the need for Big Stopper-type filters (especially handy on a lens that would require a special holder for such).

Portknockie

Posted on 2017-06-02 by spodzone

Continuing the mega road-trip drive from a day in April: having taken in Dunnottar castle I proceeded up to Portknockie on the north Moray coast. A well-known location with lots of scope to explore, sitting on a transition between red sandstone conglomerate and quartzite underlying rock.

Bow-Fiddle rock itself is situated just beyond the mouth of a cove with interesting caves to the north side:

The approach to Bow-Fiddle rock at Portknockie.
We’re heading down to that strip of a pebble beach…

There’s a classic composition to be had by heading down to the boulders just beyond the pebble beach, plonking one’s tripod on the rock and adding enough ND filters to make a long exposure. With the right light and the wind kicking-up choppy waves, it can make for pleasantly dramatic arty photos. And despite being a sunny day, having to lie down on the hard rock to keep my shadow out of the shot, it definitely didn’t disappoint…

Technical details:

Pentax K-1; Samyang 24mm f/1.4 lens at f/11; Nisi ND1000 (equivalent to a Big Stopper) and circular polariser filters; ISO 100; 30s exposure using pixel-shift for a total of 2 minutes’ exposure at high resolution.

Stream of Consciousness

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