Perth close-ups: floral colour

The last in a short series of photos from a stroll around Perth.

These are all processed slightly differently from my usual workflow – instead of darktable, I used RawTherapee with a film emulation (allegedly Fuji Provia). As with the others in this series, all images were made on a Helios 58mm f/2 prime lens, pretty wide open.

Inverawe Impressions (8/10)

Where we walked.

The old fellow was the first dog with whom I’d found an understanding. I remember it well – sitting in the back garden in the middle of one’s labours, he came around, sat beside me and basically said “look, it’s TLC behind the flappers, OK?”, and that was the moment of breakthrough. When he departed, I took the photo of Ben Cruachan beyond the trees in his honour; every time I’ve passed that spot since, I remember the ol’ dog – with much fondness.

Inverawe Impressions (2/10)

Part 2 of an ongoing series of posts about the Inverawe estate in Argyll.

This time, we concentrate on mankind’s intrusion into nature. For the most part, the laird leaves the woodlands alone, untouched; however, the Forestry Commission clear-felled the slopes of Ben Cruachan, initially leaving the mountainside bare but there are now young trees beginning to grow in the barren patches. The unfortunate consequence has been damage to some of the water-courses, resulting in culverts that used to flow with beautiful clear peaty water now stagnant and clogged-up with algae.

Inverawe Impressions (1/10)

This is the first in quite a long series of of blog posts.

Several years ago now, I spent a couple of years making one black and white image a day, every day, for nearly 2 years, concentrating a lot on the shapes and forms of trees in the Inverawe, Argyll, avoiding the contrasty light normally appreciated in landscape photography.

This new series takes the same fascination with filling space with shapes that caught my eye, but permits for colour. All images were taken in the course of a couple of hours on a return visit walking around the estate; for the most part they were shot at f/8 with HDR bracketing +/-1 EV, processed in RawTherapee, Darktable and digiKam.