Aberdeenshire Coast: Catterline

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I’d never really explored much of the Aberdeenshire coastline. On Saturday, however – feeling liberated from EV range anxiety – I discovered Catterline, just south of Fowlsheugh and Dunnottar. Towards the end of a beautiful sunny day, with just enough low golden light on the landscape… I had to fly the drone a bit, too.

The coast enjoys many large rocky outcrops (all conglomerate for a few miles around):

Perhaps my favourite shot is one of the more unusual by my standards: quite a thought-out composition of receding layers of rock, with the cliffs behind casting a huge shadow mid-way up one of the rocks, with Todhead Point lighthouse in the distance – near and far, light and dark, mankind and nature all rolled into one:

Todhead Point Lighthouse from Catterline Bay

Not bad going for the little Fuji camera; having set it to f/16 for depth of field, I’m surprised it chose exposures 1/52s and 1/26s at ISO 1600 and 1/60 at ISO 1000 for its HDR bracketing, but the results are excellent, no noise problems even in the shadows.

To finish, a simple statement of peace: nothing much, just sky above, a gentle disturbance in the sea below; all is calm, all is blue:

Peace: blue sky, blue sea

Portknockie

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Continuing the mega road-trip drive from a day in April: having taken in Dunnottar castle I proceeded up to Portknockie on the north Moray coast. A well-known location with lots of scope to explore, sitting on a transition between red sandstone conglomerate and quartzite underlying rock.

 

Bow-Fiddle rock itself is situated just beyond the mouth of a cove with interesting caves to the north side:

The approach to Bow-Fiddle rock at Portknockie.
We’re heading down to that strip of a pebble beach…

There’s a classic composition to be had by heading down to the boulders just beyond the pebble beach, plonking one’s tripod on the rock and adding enough ND filters to make a long exposure. With the right light and the wind kicking-up choppy waves, it can make for pleasantly dramatic arty photos. And despite being a sunny day, having to lie down on the hard rock to keep my shadow out of the shot, it definitely didn’t disappoint…

Technical details:

Pentax K-1; Samyang 24mm f/1.4 lens at f/11; Nisi ND1000 (equivalent to a Big Stopper) and circular polariser filters; ISO 100; 30s exposure using pixel-shift for a total of 2 minutes’ exposure at high resolution.

At Tarbat Ness

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Continuing the third day of my holiday last November, having been to the Reelig Glen in the morning, with the weather still mostly inclement, I went for a nice long drive up to Tarbat Ness by Portmahomack. The lighthouse – the third-tallest in Scotland – was engineered by Robert Stevenson in 1830, a stripy shapely construction standing on cliffs above the Devonian old red sandstone shore, making a great classic scene to photograph.

And this is the more immersive view of what it’s like to be there:

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Dunnottar Castle

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Dunnottar Castle is a ruined medieval fortress located upon a rocky headland on the north-east coast of Scotland, about 2 miles south of Stonehaven. The current ruins date from the 15th and 16th centuries, but there is believed to have been fortification on the site since the Early Middle Ages.

The ruins of the castle are surrounded by steep cliffs that drop to the North Sea, 50 metres (160 ft) below. A narrow strip of land joins the headland to the mainland, with a steep path leading up to the gatehouse.

I made these photos over the course of a couple of hours after the eclipse in March, partly because I know the place well, partly because I was reminded of it by a photo in the local photo-club, and partly because I wanted to reshoot it at greater quality with newer processing techniques. It’s a pity the path down to the shore is so muddy – perhaps I should revisit either in winter or early spring instead.

For the record, the workflow for these is:

  • tripod, SRB ND1000 filter, multiple frames around 8s shutter-speed at source
  • RAW conversion in Photivo
  • HDR panorama in Hugin + enfuse
  • tonemapping in LuminanceHDR
  • post-processing in darktable
  • further post-processing in Gimp:
    • colour toning
    • film emulation (vintage, Ilford Pan-F or Rollei black and white film emulation)
    • wavelet sharpening
  • organization (tagging + metadata) in digiKam
  • bulk resizing with ImageMagick.