I spent a happy 25mins yesterday evening biking around the outskirts of town at golden hour.
Full video – 25mins compressed down to 5: https://www.youtube.com/watch?v=fF4MYvQ-IDQ
I spent a happy 25mins yesterday evening biking around the outskirts of town at golden hour.
Full video – 25mins compressed down to 5: https://www.youtube.com/watch?v=fF4MYvQ-IDQ
Two photos from a stroll down the road on a warm summer evening
Prints of The Leader are available from my photography website, ShinyPhoto.
“Slight chance of convective weather” is rapidly becoming my new favourite weather alert, especially coming at the end of the day where it signals turbulent blends of low sun, rain and thick clouds.
It doesn’t get much better than last night, either. With sunset happening just after dinner… perfect 🙂
And my favoured view of the receding hills into Strathearn was looking particularly lovely in orange-pink tones too:
A couple of views whilst out walking the dog – golden-hour sunlight on Ben Ledi and Ben Vorlich over by Callander, taken from Auchterarder.
Olympus Pen-F, 75-300mm lens, RawTherapee, 5-frame HDRs blended with enfuse and toned in darktable.
The colour photos are for sale on EyeEm: Ben Ledi and Ben Vorlich; sunset tree silhouette.
Driving home form the Argyll Photo-Walk, along the shores of Loch Fyne, I couldn’t help but stop to appreciate the golden evening light on the mountains surrounding Glenkinglas.
The Olympus Pen-F has a hi-res mode, which is a bit of a mixed blessing for use in the landscape. On the one hand, it constructs an 80-megapixel image never requiring more than 20 megapixels resolution from the lens. However, it does it by interleaving with sub-pixel super-resolution, for a total of 8 source frames per image, which results in dithering patterns around moving subjects. In the case of water, this can be mitigated by using a long exposure; in the case of clouds, much longer. For the photo showing Ardkinglas house across the water, I had an ND8 filter to make it a 1-second exposure. Unfortunately this introduced some serious colour-casts – so new filters have been ordered!
A continuation of, and the latest in, the “Crail Harbour Rocks” theme – I’ve already posted a comparison of the original study at this location from 2007 against a similar closeup from 2015; here we have a classic intimate-landscape view – optimum golden-hour light at sunset touching the rocks from foreground into the distance.