For the second day of my holiday last Autumn, I got up – again! – at a ludicrously early hour and drove from Tongue round to the Assynt peninsula, to my favourite viewpoint for sunrise.
It was some drive.
All the way from Tongue to Loch Assynt without seeing another car. Bliss.
Take the A838 road (abused as part of the ghastly NC500 coastal route) via Durness at 5am in the pitch black, the wind blowing a gale, rain + windscreen wipers on full speed.
Picture avoiding a herd cows intruding across the road. Avoiding more than 10 deer.
At that surreal pre-caffeinated hour of the morning, seeing a signpost advertising “serving local seafood” makes me picture a restaurant waiter taking a scallop’s order at table. The music of choice was Arcade Fire Mountains beyond Mountains – a song bemoaning city life with its world so small – a mental image contrasting with my surroundings, passing rural Scourie, pop 132 – the sort of place that takes longer to say the name than drive through.
And so I arrived at Rhicarn – the landscape black, clouds a grey plasma, just a little bit windy…
And the sun rose. Quite spectacularly, casting brilliant crepuscular rays from the horizon and underside edges of clouds.
Throughout the sunrise, the light was spectacular – brightly illuminating colourful clouds.
…and casting a subtle hazy glow over the morning fog across Little Assynt, outlines of hills receding into the mist
Perhaps my favourite image from the morning has to be Suilven, the unmistakable mountain on the horizon, catching a subtle patch of oblique sunlight on a flank.
Once the sun rose, I explored the Falls of Kirkaig outside Inverkirkaig. A nice long walk through lumpy landscape, to a large thundering waterfall.
Returning to above Rhicarn, clouds had flowed in obscuring the mountains on the horizon, so I experimented flying the drone to admire the surrounding landscape.
There’s something about finding a thin strip of old tarmac that obviously used to be a road – it makes a connection with the story and heritage of a location. From researching on Pastmap, it appears there was not much road here at all throughout the 19th century – presumably a cattle drovers’ track or similar. Then the old tarmac was laid, following a circuitous path around the gneiss rock hills. Finally, some time after the 1960s, a new road, now the B869, was laid through it in a boring straight line, the old route relegated to a carpark yet visible and walkable either side of the road.
Behind this scene, on the way to Clachtoll, lies some beautiful Karst landscape (cnoc’n’lochan or knock-and-lochan), formed by underground erosion of softer rock, leading to a classic pattern of rocky knolls interspersed (almost 50-50 by area) with lochs.
Further along the road lies the Maiden Loch, of which I’ve been very fond since first catching sight of it years ago. That first view was on a sunny afternoon, the sky blue reflecting in the water. I flew the drone over it, to admire the gneiss landscape all the more…
Some of the above photos are available on my photo gallery website: ShinyPhoto: Assynt
A couple of years ago, a photo-friend and I spent a happy afternoon exploring Corrie Fee in Angus; I remembered emerging from the trees in an impressive bowl of a glacial corrie. In August, I sought to repeat the experience, starting from the carpark nearby, but in my haste to get off the ghastly Forestry Commission track (more like a hard gravel road ploughed through the forestry, complete with yellow metal gantries), I wound up taking a different path. It also emerges from the trees into a bowl of a glacial corrie, but felt different and I couldn’t work out whether it was the wrong exit from the woods or what.
Came home and checked the geotagged images to find it was not Corre Fee but Glen Clova instead. That would explain a lot of things! And unsurprisingly, I now use ViewRanger to navigate whilst hiking.
Still, a couple of hours bumbling around in the grass finding interesting photos in a dramatic bit of landscape on a moody afternoon… Can’t complain.
As I was stumbling around in the foot of the glen, I stumbled across this lovely little burn tumbling its way through the hillside:
The surrounding rocks are quite dramatic – I was amazed at the green and purple hues of moss and primitive plants growing on the crags around
And much as I know the forestry is entirely artificial now, it still drapes over the landscape like a cloak.
For years now, my photo-processing workflow has been 100% open-source. However, in the interests of greater portability – hack on photos whilst on the go – and partly gratuitously for the sake of variety, I recently acquired an iPad Pro 10.5″ and installed the Affinity Photo app.
As a user experience goes, it’s really quite pleasant. The best way to synchronise files around the LAN seems to be Seafile, which is open-source and available for Linux, iOS and android. My Linux-based workflow regularly produces 64-megapixel images, working on multiple intermediate TIFF files, 16-bit ProPhotoRGB-linear; somewhat surprisingly, seafile, the iPad and Affinity Photo seem able to handle files around 450MiB in size. There are a few small gotchas – I had to import a few ICC colour profiles by hand and as yet, there doesn’t seem to be a way to customise export options (so you have to select JPEG 99% sRGB lanczos yourself afresh every time); I’m sure these things will come in time however.
So here’s a shot from last Sunday afternoon. As I was heading out of Muthill I saw this characterful old tree in a field; on the return journey a few hours later, not only was it still there but the clouds were darker in the background and the golden sunlight caught the bare branches. A very quick bit of parking and even quicker sprint back to the optimum viewpoint and it looked stunning. So I processed it a little further, realising an intention for how it should look that was apparent from the start.
Today was the airshow in Ayr, marking the last Scottish flight of the Avro Vulcan XH558.
Last weekend I saw inside its sister plane, down in Carlisle. This week, I enjoyed watching it fly – and what a beautiful bird it was. So elegant – when cruising around slowly it was as though she was toying with the audience. And when they opened the throttle to accelerate or head upwards…. wow. What an engine roar.
The Red Arrows were also there – an impressive display of several fly-pasts ludicrously close and at high speed.
In the evening of Feb 7 2015, I was driving back along the A90 from Dundee to Perth, right into this sunset. It lasted a while, so I pulled over beside the road in the Carse of Gowrie to shoot it, including a reflection in the car roof (as one does!).
Two final landscape scenes to close this series. It was a long morning spent watching the sun rise, walking around the River Walk and along the side of Loch Affric past An Tudair, before returning to the River Walk a second time and clambering up the opposite hill to the memorial to capture the passing light on pine-covered mountains above the loch.
After all that driving to get this, I couldn’t let today pass without posting taster shot from the solar eclipse.
I find it interesting that, for all the posturing online about the need for Baader solar sheets and that ND filters wouldn’t provide enough protection, nature provided clouds as the best kind of filter anyway.
The colour photo was taken with a 20-year-old Centon 500mm f/8 mirror lens and probably an ND8 filter hand-held in front; the black and white image was the kit telephoto 55-210mm lens at the far end.
Both taken from the road beside Dunnottar Castle, Stonehaven.