For the second day of my holiday last Autumn, I got up – again! – at a ludicrously early hour and drove from Tongue round to the Assynt peninsula, to my favourite viewpoint for sunrise.
It was some drive.
All the way from Tongue to Loch Assynt without seeing another car. Bliss.
Take the A838 road (abused as part of the ghastly NC500 coastal route) via Durness at 5am in the pitch black, the wind blowing a gale, rain + windscreen wipers on full speed.
Picture avoiding a herd cows intruding across the road. Avoiding more than 10 deer.
At that surreal pre-caffeinated hour of the morning, seeing a signpost advertising “serving local seafood” makes me picture a restaurant waiter taking a scallop’s order at table. The music of choice was Arcade Fire Mountains beyond Mountains – a song bemoaning city life with its world so small – a mental image contrasting with my surroundings, passing rural Scourie, pop 132 – the sort of place that takes longer to say the name than drive through.
And so I arrived at Rhicarn – the landscape black, clouds a grey plasma, just a little bit windy…
And the sun rose. Quite spectacularly, casting brilliant crepuscular rays from the horizon and underside edges of clouds.
Throughout the sunrise, the light was spectacular – brightly illuminating colourful clouds.
…and casting a subtle hazy glow over the morning fog across Little Assynt, outlines of hills receding into the mist
Perhaps my favourite image from the morning has to be Suilven, the unmistakable mountain on the horizon, catching a subtle patch of oblique sunlight on a flank.
Once the sun rose, I explored the Falls of Kirkaig outside Inverkirkaig. A nice long walk through lumpy landscape, to a large thundering waterfall.
Returning to above Rhicarn, clouds had flowed in obscuring the mountains on the horizon, so I experimented flying the drone to admire the surrounding landscape.
There’s something about finding a thin strip of old tarmac that obviously used to be a road – it makes a connection with the story and heritage of a location. From researching on Pastmap, it appears there was not much road here at all throughout the 19th century – presumably a cattle drovers’ track or similar. Then the old tarmac was laid, following a circuitous path around the gneiss rock hills. Finally, some time after the 1960s, a new road, now the B869, was laid through it in a boring straight line, the old route relegated to a carpark yet visible and walkable either side of the road.
Behind this scene, on the way to Clachtoll, lies some beautiful Karst landscape (cnoc’n’lochan or knock-and-lochan), formed by underground erosion of softer rock, leading to a classic pattern of rocky knolls interspersed (almost 50-50 by area) with lochs.
Further along the road lies the Maiden Loch, of which I’ve been very fond since first catching sight of it years ago. That first view was on a sunny afternoon, the sky blue reflecting in the water. I flew the drone over it, to admire the gneiss landscape all the more…
Some of the above photos are available on my photo gallery website: ShinyPhoto: Assynt
A couple of weeks ago in the middle of December, we were treated to a quick overnight blast of snow. It remains my favourite season for photography, so I staggered up Birnam Hill to fly in the late afternoon light.
Landscapes:
Straight-down abstracts – trees and outlines of the Birnam Burn flowing through the snow:
Ground-level tree abstracts:
As an experiment to help learn my way around the Shotcut video editor, I made a short video of the area too:
I’d never really explored much of the Aberdeenshire coastline. On Saturday, however – feeling liberated from EV range anxiety – I discovered Catterline, just south of Fowlsheugh and Dunnottar. Towards the end of a beautiful sunny day, with just enough low golden light on the landscape… I had to fly the drone a bit, too.
The coast enjoys many large rocky outcrops (all conglomerate for a few miles around):
Perhaps my favourite shot is one of the more unusual by my standards: quite a thought-out composition of receding layers of rock, with the cliffs behind casting a huge shadow mid-way up one of the rocks, with Todhead Point lighthouse in the distance – near and far, light and dark, mankind and nature all rolled into one:
Todhead Point Lighthouse from Catterline Bay
Not bad going for the little Fuji camera; having set it to f/16 for depth of field, I’m surprised it chose exposures 1/52s and 1/26s at ISO 1600 and 1/60 at ISO 1000 for its HDR bracketing, but the results are excellent, no noise problems even in the shadows.
To finish, a simple statement of peace: nothing much, just sky above, a gentle disturbance in the sea below; all is calm, all is blue:
I don’t remember much about the hotel in Spittal of Glenshee – I suspect I saw it a few times when passing by up the glen, but that’s about it. I didn’t have recourse or time to visit the area for a few years, during which time it burned down in 2014 – quite a transformation, leaving the land just fenced-off to decay.
Nice setting:
As an aside, a friend and I were recently nattering about the saturation slider and how there’s always a temptation to overdo it. I mentioned that some images seem to “resonate” at multiple spots across the saturation axis – maybe fully saturated like slide film of old, maybe flatter like colour neg film of old, maybe artistically desaturated, maybe full-on black&white. The above image seems to work at 3 degrees.
Continuing the theme of mankind’s interaction with nature: exploring Tillicoultry Quarry by drone for some interesting angles on the rock aggregate – semi-abstract patterns, textures and colours.
Situated outside Livingston, the psychiatric hospital at Bangour Village was founded in 1906 as Edinburgh District Asylum – one of the first in Scotland to be modelled on a village. In 1918 it housed up to 3000 patients. During the second World War, patients were transferred temporarily to Hartwoodhill Hospital. Around 1924-1930 it gained a multi-denominational church in the centre of the village.
These days the site consists of several listed buildings, most in increasing states of decay – ideal territory for urban exploration.
The zig-zag harbour wall at St Monan’s is one of those iconic photographic locations where it’s impossible to pitch-up with tripod on top of the wall without being joined by multiple other photographers all seeking to perpetrate much the same cliché photo.
A much-shot photo, the zig-zag harbour wall at St Monan’s, Fife
Being stuck in Fife already, I called in at the village and sent the drone up to explore.
One of the first things I noticed is a tiny sign on one of the harbour wall ladders, warning the walk-way is closed. On aerial inspection, it’s possible to see the extent of damage it’s obviously suffered in the winter weather.
Winter weather erosion: the corner of the zig-zag dead-centre in the frame is obviously damaged
I was also very pleased to take a couple of new shots from the aerial perspective, straight down on the zig-zag – it shows how much the land-locked view compresses perspective. The water showed up a beautiful shade of green in the sunlight – and one can make out interference patterns of the waves and their reflections off the harbour wall:
I also nabbed a couple of views of the village, particular the Auld Kirk to the west and the view back across the harbour to the east.
Driving up the M90 past Stirling there is a little mound of a hillock at Craigforth, opposite Cambusbarron, which I thought might afford a nice view of the city at dusk.
In practice the mound is owned by a large insurance company with lots of restricted access by road, so I found Scout Head hill a couple of miles down the A811 near Gargunnock.
The snow was nearly a foot deep in parts so it took 1.5hr to walk 3 miles, uphill and down, to say nothing of 1.5hr making photos off the top.
The light was totally awesome. As expected, the hill’s shadow crept across the landscape, chasing the warm sunlight up the Wallace Monument and Stirling Castle, leaving Dumyat as the sky turned pink/purple/blue in the Earth’s Shadow.
I made a little timelapse video:
Beautiful winter landscape; the shadow moved its way across the landscape, with the last light making its way over the Wallace Monument and Stirling Castle before heading up Dumyat
I flew the drone away from the camera location and made an HDR panorama of Stirling from the air:
The last of the warm light – foreground partially cleared forestry in the shadow of Scout Head hill – contrasting with light on Craigforth, the Wallace Monument and Stirling Castle with Dumyat in the background.
Walking back down the hill in the cold twilight, the mountains of the Trossachs were glowing with white snow against the cobalt blue sky.
(I loved that light so much, I’ve made it available as a framed print via RedBubble already.)
The Forth is just a wee river this far west, but it still gave rise to a cloud of mist obscuring the view of local farms:
It’s only a wee river at this point, but the Forth gave off a large cloud of mist after dusk, obscuring the local farms.
And finishing up with the mankind-vs-nature theme, the Wallace Monument and orange streetlights of Stirling made a great contrast against the blue sky:
A mixture of lighting: vibrant orange tones of Stirling contrasting with the cobalt blue night sky above.
My sense of the geography of Strathearn has not really fitted together until quite recently. There have been a few locations, isolated points and a few lines: the A822 from Gilmerton up past Monzie to the Sma’ Glen; The Hosh at the foot to access Glen Turret; a small B-road between the two; a hill known as Kate McNiven’s Crag; and one or two other areas. More recently I’ve been climbing hills, “bagging” Torlum Hill and Laggan Hill as part of the Lady Mary’s Walk circuit out of Crieff.
The Highland Boundary Fault emerges in a burst of very lumpy landscape at the southern end of the Sma’ Glen. But what it does in the rest of Strathearn to the west, I’ve never really seen.
A couple of weekends ago I explored the Knock of Crieff independently; it struck me that the path up the north side afforded the perfect view along the length of the strath to the far mountains in the west, an elevated view along the glacial U-shape.
So late on Sunday afternoon I took the drone for a spin slightly out over the strath and made a panorama of 7 shots, each a 5-shot HDR exposure bracket sequence – blended on Linux, stitched and edited in Serif Affinity Photo for the iPad.
Lowlands to the left of me; Highlands to the right…
And just for the record, this is what it looked like in the middle of stitched the blended panorama, before I cropped and toned it:
It’s been a bit of a dream, a life-mission of a bucket-list item, but the other week I flew over some of the Caledonian Forest at Glen Affric – the drone’s maiden flight, as it happens, and a new way to admire the trees from a different angle.
A scene I hope to revisit more often as flying skills evolve.
I’ve discovered DJI GS (“groundstation”) Pro, which allows me to plot-out routes in advance with waypoints and control what happens at them, long before arriving at a location.
Well, currently we’re at the stage of wondering why the camera’s pointing back the way we came when it should be looking exactly the opposite direction.
Still, there’s a lot of nice views to be had above Kinnoull Hill.
After serendipitously discovering a lot of heritage information about the abandoned former village of Binnend, on The Binn outside Burntisland in Fife, I spent much of Sunday afternoon exploring the area.
It was smaller than I expected from the maps – about 30x30m or so – and very overgrown. The central region is a mix of thick gorse and fallen boulders, so not really accessible by foot. Use of the drone was hampered by several factors: being immediately adjacent to the Alcan landfill waste processing site, still an active commercial operation; by being a few hundred yards away from Craigkelly transmitter which caused significant radio interference (warnings in the DJI Go app and actual loss of video signal above a few meters’ altitude), so I did not get the fly-over video I’d intended.