It seems like ages ago now – but back in April, a friend took me for a walk up Corrie Fee near Glen Clova. It was the first time I’ve been there, and didn’t know exactly what to expect; the first stretch through the forestry was pleasant (once the weather made its mind up what to fling at us), but when the view opened-out into a massive wide vista at the foot of a corrie, complete with glacial morraine hillocks, it was wonderful.
Tag Archives: black and white
Out in the middle of nowhere
On a whim, a friend and I spent a few hours out in the middle of nowhere, Aberdeenshire – hunting aurora which totally failed to show, avoiding fog and pointing cameras sky-wards to see what could be seen.
I quite liked the lights of a cow-byre against the mist, the Pleiades and Hyades star clusters in the constellation of Taurus and a little wisp of cloud below the rising moon.
A Day in Argyll (2): Inverawe
No trip to Argyll is complete without a drive around Inverawe. A beautiful place, with woodland left to nature to do its thing in the middle of the estate. This time, the trees were particularly gorgeous in the sunlight.
Of course, what really matters is that Old Friend, the first and most characterful of the trees I later identified as a goat willow, is doing well. He is.
My favourite of many old goat willow trees around the estate – increasingly falling apart at the seams, it’s still a characterful tree.
Around Birnam Hill: landscape old and new
The last in a small series of photos from Birnam Hill near Dunkeld.
As far as I can tell, the first two photos are taken more or less on the Highland Boundary Fault – a line runs from Stare Dam past Rohallion lodge, up through one quarry and across the A9 through another slate quarry.
Test shots from a favourite walk, playing with the new mobile – DNG RAW files processed in Darktable.
Around Birnam Hill: Tree Closeups
A slight reversion to type, here. In previous lives I used to enjoy taking photos of closeup parts of trees, a study in shapes and forms.
Combined with one of my new favourite walk routes, up Birnam Hill near Dunkeld, and we have a lot of larch buds…
Testing the new mobile camera – this one shoots RAW DNG files, processed here in Darktable.
Glen Turret: Dark
Two of my twitter friends have developed particular styles – extreme dark low-key black+white rendition and negative inversion, respectively. It’s intriguing how scenes come out – a very different mapping from the usual realism.
Glen Turret: Wet Stuff
A short study in water – taken on a stroll along the side of Loch Turret.
Portknockie (3/3): Bow-Fiddle
I’ve left the usual photos to last, seeing as how everyone else has shot this scene before.
It wasn’t particularly easy; the tripod was struggling to stay steady in the breeze and the course of a few seconds between adjusting the camera, leaving it to stop vibrating and pushing the shutter remote release, the light was changing radically from dull shade to bright sunlight on the foreground rocks. Still, a moderately long exposure worked, eventually.
Herewith, four different ways of processing the same images.
Portknockie (1/3): an unusual view
This is by way of a little tease. The Interwebs are full of photos of this lump of rock taken from a few yards to the right; I thought it would be more interesting to see it through the mouth of an adjacent cave instead.
Fields
Fields run deep in golden swards
Hot summer winds blow through the corn
Ripening corn/barley, Auchterarder.
Dunnottar Castle
Dunnottar Castle is a ruined medieval fortress located upon a rocky headland on the north-east coast of Scotland, about 2 miles south of Stonehaven. The current ruins date from the 15th and 16th centuries, but there is believed to have been fortification on the site since the Early Middle Ages.
The ruins of the castle are surrounded by steep cliffs that drop to the North Sea, 50 metres (160 ft) below. A narrow strip of land joins the headland to the mainland, with a steep path leading up to the gatehouse.
I made these photos over the course of a couple of hours after the eclipse in March, partly because I know the place well, partly because I was reminded of it by a photo in the local photo-club, and partly because I wanted to reshoot it at greater quality with newer processing techniques. It’s a pity the path down to the shore is so muddy – perhaps I should revisit either in winter or early spring instead.
For the record, the workflow for these is:
- tripod, SRB ND1000 filter, multiple frames around 8s shutter-speed at source
- RAW conversion in Photivo
- HDR panorama in Hugin + enfuse
- tonemapping in LuminanceHDR
- post-processing in darktable
- further post-processing in Gimp:
- colour toning
- film emulation (vintage, Ilford Pan-F or Rollei black and white film emulation)
- wavelet sharpening
- organization (tagging + metadata) in digiKam
- bulk resizing with ImageMagick.
Moody Eclipse Photos
I was up early on the morning of March 20th to get to Stonehaven on the coast in time for the solar eclipse.
It’s funny how there was so much discussion as to what filters one should use when shooting the sun: on the one hand, a direct view of the sun’s disc requires special Baader solar filter (approx 23 stops’ filtration); however, when I arrived to see the extent of the clouds, only conventional photographic filters were needed (a mixture of ND1000 and circular polarizer 2-stop filters). And I think the results were all the more dramatic for it, too.
The first of these photos was made using a Centon 500mm mirror lens over 20 years old – from when I bought my first film SLR (a Canon EOS500n – that dates it) It even shows sunspot N 2303 pretty clearly.
The others are with the Sony 55-210mm lens at full stretch instead.
Each image is an HDR of 3 source frames bracketed +/-1EV, converted in photivo, blended in enfuse and worked in darktable.
Glen Clunie: Landscape Vistas
I must admit to not having found the landscape in Glen Clunie particularly inspiring – good for covering distance whilst hiking but not many trees to catch one’s interest. However, the resultant photos have some merit – hopefully the convey a sense of the expansive topography of the post-glacial floodplain through which the Baddoch Burn runs.
The particularly dark photo is an experiment inspired by my twitter friend Neil Mansfield‘s work with Dark Landscapes.
As I was returning back along the glen, three dogs in the garden of the stone house started shouting and running around me; the owners invited me in and plied me with tea. Next thing you know there’s three dogs all clambering over my knee on the sofa. Highland hospitality at its best.
In the Woods
It’s been a while since I made photos of closeups in the woods – and for the most part, last time around I avoided contrasty light for the purpose too. Last night, I took a single prime lens (my favourite Pentacon 50mm f/1.8 of old) and one of my favoured strolls over Craigie Hill around the golf course, seeing what there was to be seen under the trees…
A Favourite Waterfall
A couple of views of a small part of a favoured waterfall on my walk up Birnam Hill.