Sunset, Rhue by Arisaig

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I wouldn’t be the only person to favour Scotland’s west coast – its beautiful landscape, impressive geology.

After a day exploring outside and around Mallaig, I stopped at Arisaig to catch the sunset and was not disappointed.

First, a couple of obvious scenes at the end of the road, the low warm light skimming lines of rock

  • A favoured location – can’t beat a day on the west coast of Scotland, the beautiful landscape, impressive geology. After a day exploring, I stopped at Arisaig to catch the sunset and was not disappointed. This was an easy composition to find, the lines of psammite rock zig-zagging through the vertical frame, all illuminated by the bright warm/orange sunset light from the west.

I flew the drone a little way out over Loch nan Ceall for a more elevated perspective. The light was turning red, catching the rugged hills nearby

The view out west directly toward the setting sun was particularly impressive

  • A favoured location – can’t beat a day on the west coast of Scotland, the beautiful landscape, impressive geology. After a day exploring, I stopped at Arisaig to catch the sunset and was not disappointed. So I flew the drone out over some small islands just off the shore of Loch nan Ceall – the imaginatively named Sgeirean Buidhe (“yellow reefs”) and caught the sunset over Torr Mòr

The 360º panorama is one of my favourite art-forms: for best results, the optimum workflow is:

  • choose a location directly above some non-uniform structured area – not just directly above the sea but over a reef, so the panorama can stitch properly
  • think about the contrast-ratio from brightest to darkest areas of the scene; if the sun is visible, use a narrow aperture (f/10 or thereabouts) so the diffraction-spikes cling closer to the sun; choose an exposure such that the brightest part of the scene is just beginning to overexpose – typically you can recover 2/3EV highlights in post but the shadows get noisy fast and with a direct into-the-sun shot the shadow-side can easily require a 3EV shadow-lift
  • shoot RAW DNGs and ignore the JPEG
  • use RawTherapee to convert the JPEGs – apply lens distortion correction and a small amount of tonemapping, maybe even the dynamic-range-reduction module
  • use Hugin to stitch the panorama: optimize for position, barrel distortion and view but not translation; use equirectangular projection and auto-straighten; ensure the FoV is 360×180º (it may be out by 1, ie 179º); use blended+fused output for noise-reduction, unless it introduces stitching edge artifacts
  • finish, including toning and noise-reduction/sharpening, in darktable.

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Finally, just as I started the return drive, the sky provided yet more drama to see me on my way:

  • A favoured location – can’t beat a day on the west coast of Scotland, the beautiful landscape, impressive geology. After a day exploring, I stopped at Arisaig to catch the sunset and was not disappointed – the sky provided these beautiful parting shots of the sunset fading to twilight just as I was driving away.
  • A favoured location – can’t beat a day on the west coast of Scotland, the beautiful landscape, impressive geology. After a day exploring, I stopped at Arisaig to catch the sunset and was not disappointed – the sky provided these beautiful parting shots of the sunset fading to twilight just as I was driving away.

A selection of the above photos are available on my gallery website as prints, cards, masks and other products: Arisaig on ShinyPhoto.

At Tarbat Ness

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Continuing the third day of my holiday last November, having been to the Reelig Glen in the morning, with the weather still mostly inclement, I went for a nice long drive up to Tarbat Ness by Portmahomack. The lighthouse – the third-tallest in Scotland – was engineered by Robert Stevenson in 1830, a stripy shapely construction standing on cliffs above the Devonian old red sandstone shore, making a great classic scene to photograph.

And this is the more immersive view of what it’s like to be there:

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Around Glen Affric: Trees

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Having contemplated the role of water in the landscape, the second aspect by which to contemplate Glen Affric is the trees. Home to the largest Caledonian Forest reserve, the place boasts beautiful naturally-seeded old Scots Pine (Pinus sylvestris) trees, their orange-brown bark full of gnarly character; there are also birch and juniper to be seen.

The river walk forms a small circuit around an isthmus connecting Loch Affric and Loch Beainn a Mheadhoinn; it is best taken anticlockwise from the carpark, descending to the river and then returning back through the pine forest.

This particular morning I was pleasantly surprised by the beautiful autumn light, but also by how the snow on Sgurr na Lapaich melted in the less-than-an-hour it took to walk around.

Those are the official landscape photos – this is the immersive 360-degree panorama showing what it’s really like to be there:

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Driving away from the favoured river walk, I just had to stop to admire the birch trees by the roadside, glowing vibrant autumnal yellow gold and orange back-lit by the sun.

And just for amusement, a selfie from the Nice Place itself at the start of the river walk route:

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Around Glen Affric: water

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I had a short holiday at the start of last November, a few days spent in Glen Affric. There are several aspects why it’s my favourite part of the planet, but for the purposes of this post, we consider the role of water in shaping a landscape, eroding its way through rocks to form river, gorges and waterfalls.

First, the impressive 150-foot drop of Plodda Falls from the top:

Second, some of the cascades in the River Affric, part of the way around the River Walk, rich autumn colours glowing in the morning sunlight:

And finally, a couple of 360-degree panoramas, partly to offer a behind-the-scenes view – they take a little while to download once clicked:

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