Craig Varr: Misty Landscape

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Saturday was one of those strange days where the weather forecast changed, leaving me not particularly inspired where to go take the camera. But I carried on regardless up to Kinloch Rannoch and climbed Craig Varr. The views on the way up were pleasant: nice trees silhouetted against the sky, views along Loch Rannoch; as I reached the top of the crag, however, the mist came down reducing visibility to barely 100yd with low cloud flowing over the trees in front. 

Descending, below the cloud level, I could see clouds zipping along above Loch Rannoch like a steam-train, the mountains opposite appearing and receding in the mist.

  • Sparse trees on Creag an Fhithirich, better known as the Sleeping Giant: a beautiful lumpy shapely crag in the foreground before Meall Dearg across the valley from Craig Varr.
  • Simple things: abstract shapes of tree branches and twigs forming a fine filigree silhouetted against the sky beyond.
  • Some of my favourite landscape elements: a contrasty plasma-cloud sky and overlaping layers of mountains receding into the distance, the other side of the Black Woods of Rannoch.
  • Shape and solitude: a much-windswept lone tree battling the elements at the top of Craig Varr.
  • Shape and solitude: a much-windswept lone tree battling the elements at the top of Craig Varr.
  • On previous visits to the location I’ve tried to replicate another photographer’s work, getting the Sleeping Giant a mile away across the river in the corner of the photo; this time, however, thick mist at the top of the crag put paid to that idea, completely eliminating anything in the distance with a visibility of about 50yd.
  • On previous visits to the location I’ve tried to replicate another photographer’s work, getting the Sleeping Giant a mile away across the river in the corner of the photo; this time, however, thick mist at the top of the crag put paid to that idea, completely eliminating anything in the distance with a visibility of about 50yd.
  • An energetic climb up Craig Varr outside Kinloch Rannoch as the mist flowed over the mountains, followed by a quick descent to return to civilisation. This was taken from the way back down, as I paused to admire the clouds flowing fast along Loch Rannoch like steam trains.
  • An energetic climb up Craig Varr outside Kinloch Rannoch as the mist flowed over the mountains, followed by a quick descent to return to civilisation. This was taken from the way back down, as I paused to admire the clouds flowing fast along Loch Rannoch like steam trains.

A Bit Damp

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Another Friday evening, another great way to end the week with a camera in hand. As I finished up work, wondering whether to mow the lawn, I looked out the window and saw awesome clouds zipping past.

Grab camera, grab Dog, go walkies and shoot whatever happens. There was rain. There was sun.

And after the rain, the sun illuminating the gently undulating crop fields contrasted amazingly with the remaining ominous clouds beyond.

Simple undulating rural countryside – with dramatic clouds above.

Exploring Strathearn

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I spent a happy evening exploring the Quoig area in Strathearn – the floodplain of the river Earn between Comrie and Crieff, south of the A85. Disused railway line, Sir David Baird’s monument and a luscious sunset. Can’t complain šŸ™‚

 

Birks of Aberfeldy

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A few weeks ago, I spent a happy Saturday afternoon strolling around the Birks of Aberfeldy, testing the newly acquired Fuji X-T20.

For context, a general landscape of the lower end of the gorge with the Moness water flowing around rocks and pebbles in the riverbed:

The Moness river flowing over rocks and pebbles

For consistency, everything else was shot coupled with the Helios 58mm f/2 lens using the Acros+Yellow black&white film emulation mode and ISO 200.

Some abstract tree foliage patterns:

Details of tiny flowers closeup:

Of all the mini-waterfalls up the left side of the gorge, I’m particularly fond of the way the water flows over the moss on this one:

Statue of Robert Burns sitting on a bench:

Scultpure of Robert Burns sitting on a bench at the Birks of Aberfeldy

Shortly after these photos were made, the heavens opened – a huge cumulonimbus cloud the shape of the Starship Enterprise disgorged itself over a lot of Highland Perthshire, flooding the roads in Aberfeldy itself; as I was walking down the north side of the gorge, it was quite disconcerting feeling the sandy gravel getting washed away in the channels underfoot. Fun fun!

Twilight

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Some more tests of the Fuji X-T20 in low light conditions.

Summer has the worst daytime light for photography with harsh shadows and washed-out pale tones; however I love the night sky with its permanent twilight (at this latitude) giving cobalt blue sky with hints of the sun’s warmth just below the horizon.

Plus it’s more comfortable than winter astrophotography šŸ˜‰

Three studies in cloud structure – nature’s abstract patterns and a tiny blob of light of a hamlet across Strathearn:

Continuing the anthropocene-influence theme, glorious blue, red and pale clouds in an orange-tinged sky against a tiny pylon breaking the horizon:

The Pylon

The Pylon

 

 

Waterfalls and Mountains

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We spent Saturday afternoon driving around the Tay Forest Park – up to the Mains of Taymouth at Kenmore for lunch then along the south Loch Tay road to the Falls of Acharn – a comparatively steep climb up the side of the gorge and negligible water in the falls, but there was pleasant subtle light making the most of the colours on the surrounding rocks:

Nice rocks (typical Highland semi-pelite) covered with colourful beech leaves and green moss. Shame they’d forgot to turn the water on…

Next stop: just outside Ardeonaig there is a tiny layby where the view of the southern end of Loch Tay opens up. There was pleasant light on the sides of Ben Lawers too:

Still a favoured viewpoint right by the side of the South Loch Tay road – lovely soft mountainside illuminated by gentle light and shadow.

Driving further down the road to Killin, there was an awesome cloud inversion flowing around Ben More in the distance, outside Crianlarich – so I stopped at Lix Toll services and made a panorama of it:

Observant viewers will spot there’s even a tiny fragment of snow remaining toward the far left of the shot on Stob Binnein – not bad for the last week of June!

The final stop of the afternoon was at Edinample Falls along the South Loch Earn road – a small gorge but beautifully shaped with pleasant light through the surrounding trees and a decent amount of water flowing around the rocks.

An overview of the waterfalls at Edinample – lovely sunlight illuminating the rocks nearby

 

Spittal of Glenshee

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I don’t remember much about the hotel in Spittal of Glenshee – I suspect I saw it a few times when passing by up the glen, but that’s about it. I didn’t have recourse or time to visit the area for a few years, during which time it burned down in 2014 – quite a transformation, leaving the land just fenced-off to decay.

Nice setting:

As an aside, a friend and I were recently nattering about the saturation slider and how there’s always a temptation to overdo it. I mentioned that some images seem to “resonate” at multiple spots across the saturation axis – maybe fully saturated like slide film of old, maybe flatter like colour neg film of old, maybe artistically desaturated, maybe full-on black&white. The above image seems to work at 3 degrees.

Funky ruins:

Sma’ Glen: liminal landscape

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Many years ago, as I was buying my first ever house in Perth, I remember the solicitor advocating the Sma’ Glen as a landscape to explore and photograph. He wasn’t wrong, but it’s taken over a decade to really start to explore it properly.

First there’s the natural appreciation of the place – light and landscape.

Taken right above the Highland Boundary Fault line looking north to the Sma’ Glen, Dallick House and plantation on the right and Roman Signal Station just visible as concentric rings in the bracken above a small burn.

Then comes the realization, due to geology, that the incredibly lumpy landscape is actually due to the Highland Boundary Fault running right through it – here, from left to right, along the line of the base of the hills and mountains. Lowlands beneath and behind, Highlands beyond to the north.

The second realization, due to heritage, is that the Romans had a series of “glen-blocker” forts along the Gask Ridge, of which one was situated here, at Fendoch. They even had a Signal Station across the road(!) – more accurately, across the fault line too – to alert the fort to incoming invasion from the north.

These days the fort itself is no great shakes – a few stone walls remaining and some faint outlines of rectangular structures beyond – and the Signal Station is a couple of concentric rings and a hint of more structure in the bracken.

Of course the final realization is thanks to the drone: rather that just the “intimate landscape” features within a few meters of one’s nose, one becomes aware of the landscape on a different scale of multiple miles and the way it’s divided up by roads and habitations (and how those have changed over the millenia).

Roads slicing up the landscape: taken above the Roman Signal Station at the foot of the Sma’ Glen, looking south-east over the Highland Boundary Fault to Fendoch Roman Fort (between the pylons and Stroness hill in the distance) and thence along Glen Almond.

Lone Ash Tree, Glen Devon

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Thanks to my friendsĀ Fox in the Snow Photography over on Facebook for their permission to steal one of “their” favourite trees in Glen Devon as a photo location this past weekend. Less gratitude for the attendant weather, however!

On approach, leaving the car across the road, there was quite a white-out blizzard – snow blowing up the glen, everything shades of grey, low clouds. There’s a whole hillside lurking behind the tree here, not that you’d notice:

First things first, I established it’s an Ash, Fraxinus excelsior. That probably explains some of the funky characterful shapes.

I had a bit of fun exploring the various compositions around the tree. The obvious thing is to get the whole tree in the frame, from sufficiently low on the ground to obscure the road behind, letting the visible grass merge, flowing, into the background.

One idea I’d had was to emphasize the curve of the split trunk by using it to fill the frame, leaving the branches and twigs flying around in the wind during a long exposure, Medusa-style:

Fortunately the spooky mood didn’t last long, as the weather was coming and going in alternating waves of white-out cloud and brilliant sunshine flowing over the tree.

Devoid

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An exercise in uniformity: overĀ the course of three days, I took the camera out for an hour’s walk, using the same settings (28mm f/3.5, auto-ISO, centre-zone auto-focussing) and took snaps – free-form composition, quickly grabbed, around the streets and countryside surroundingĀ Auchterarder and in woodland outside Cambusbarron, Stirling. Every image was processed using the same settings in RawTherapee (with slight changes to exposure) and the same black+white sepia-toning.

From each day I chose the best 19 and averaged them with enfuse, slightly tweaked the contrast. Presented together they give an impression of abstract canvas texture with the merest hints of structure.Ā 

Around Auchterarder

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I’m not entirely sure why, but I got it into my head to make a series of photos without reason or purpose so I spent a couple of lunchtimes walking around Auchterarder just snapping scenes. Very different to my usual contemplative landscape style – this is reactionary, street photography, with a consistent presentation style (sepia-toned monochrome). All images were shot on a Pentax 15-30mm f/2.8 lens at 30mm nearly wide-open at f/3.5 as well using a daylight whitebalance.

Funnily enough, reducing the variables by insisting on one focal-length and aperture and allowing automatic exposure left me free to think about composition – in such relatively alien territory, wave the lens around and see what looks good.

Around town:

I took the new-found constraints into the surrounding countryside:

Country 2:

All images processed using RawTherapee; uncropped, but exposures normalized and the consistency of toning arising from an orange pre-filtered black and white conversion with sepia toning to finish.

Nature’s black and white

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Just one photo – from Sunday afternoon, flying the drone along Glenshee just down the A93 from the ski centre at the Cairnwell.

Some years ago, Dad and I went up the Cairnwell and as we were at the top, watched a Hercules flying down the glen, below us, banking left at Spittal of Glenshee. Nice to be able to fly the area myself now!

Technicalities: 2 deg Celsius outisde, very low cloud base (easily within the drone’s permitted altitude but best avoided); an HDR panorama of 4 frames ISO 100, f/3.5, 1/400s (varying), processed in dcraw and stitched and finished in Serif Affinity Photo.

Above the Highland Boundary Fault

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About 3-4 years ago, I first visited Birnam Hill. Made it around Duncan’s Hill to the south and through the woods… As I walked a path between old and new forestry, I wondered why there was a sharp drop down almost a metre to the level of the new trees.

Over subsequent visits I took a few photos, came back and took geotagged photos, all around the same area, went to the BGS, imported bedrock data via KML into Google Earth, correlated with the photos… After a couple of years I’m confident that the dip in the landscape is evidence of the Highland Boundary Fault – a line that runs all the way from Arran and Comrie to the south-west, through Stare Dam and Rohallion Loch and lodge, up along this dip between the trees and away to the east before heading off north-east to near Stonehaven. From a suitable angle it looks like someone’s taken a bicycle tyre and run it over the landscape, causing an impression relative to the surrounding hills and mountains.

Apart from that, the scene from Stair Bridge Viewpoint is highly photogenic and while I’ve made several photos of the view south and east since, I’ve always wanted to fly a drone along the line of the fault.

A few days ago, the dream came true: a perfect clear dry bright sunny winter’s day, snow lying on the ground, low sun illuminating the ground, all quiet and calm.

A clear winter’s day:

You have to be standing all-butĀ on the HBF to take this:

A selfie, of sorts: straight down landing on Stair Bridge:

I managed a couple of runs from near Rohallion Lodge up toward the A9 with the drone, spliced them together into a fly-by to give an impression of the topology.

And a still photo (I still shoot them! – but mostly HDR panoramas…) looking east from above the cusp of the saddle landform between old and new forests:


To wrap up the afternoon, there wasĀ some lovely light on an avenue of beech trees, walking back to the main road:

Bucket-list Item: CHECKED!

The First Morning of Winter

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I spent the morning of Dec 22 – the first day of winter – up Kinnoull Hill. There was beautiful mist rising from the River Tay as it meanders through the Carse of Gowrie.

I experimented with a few new compositions too: semi-abstract views of the hills of north Fife, the motorway/A90 junction and the river north of Perth as well.

My favourite two images were the fairly conventional view from above the cliffs, looking past the folly along the Carse of Gowrie. It’s not that comfortable a location to shoot – to get a clear view of the tower, one has to stand in a gorse bush…