Continuing the theme of mankind’s interaction with nature: exploring Tillicoultry Quarry by drone for some interesting angles on the rock aggregate – semi-abstract patterns, textures and colours.
As before, I made a 360º panorama above Tillicoultry Quarry too.
Situated outside Livingston, the psychiatric hospital at Bangour Village was founded in 1906 as Edinburgh District Asylum – one of the first in Scotland to be modelled on a village. In 1918 it housed up to 3000 patients. During the second World War, patients were transferred temporarily to Hartwoodhill Hospital. Around 1924-1930 it gained a multi-denominational church in the centre of the village.
These days the site consists of several listed buildings, most in increasing states of decay – ideal territory for urban exploration.
A few views from ground level:
And a handful of photos made with the drone:
Also see an aerial 360º drone panorama of Bangour I made using Hangar360.
The final ward closed in 2004 – worryingly one of those “in my lifetime” things…
Many years ago, as I was buying my first ever house in Perth, I remember the solicitor advocating the Sma’ Glen as a landscape to explore and photograph. He wasn’t wrong, but it’s taken over a decade to really start to explore it properly.
First there’s the natural appreciation of the place – light and landscape.
Taken right above the Highland Boundary Fault line looking north to the Sma’ Glen, Dallick House and plantation on the right and Roman Signal Station just visible as concentric rings in the bracken above a small burn.
Then comes the realization, due to geology, that the incredibly lumpy landscape is actually due to the Highland Boundary Fault running right through it – here, from left to right, along the line of the base of the hills and mountains. Lowlands beneath and behind, Highlands beyond to the north.
The second realization, due to heritage, is that the Romans had a series of “glen-blocker” forts along the Gask Ridge, of which one was situated here, at Fendoch. They even had a Signal Station across the road(!) – more accurately, across the fault line too – to alert the fort to incoming invasion from the north.
These days the fort itself is no great shakes – a few stone walls remaining and some faint outlines of rectangular structures beyond – and the Signal Station is a couple of concentric rings and a hint of more structure in the bracken.
Of course the final realization is thanks to the drone: rather that just the “intimate landscape” features within a few meters of one’s nose, one becomes aware of the landscape on a different scale of multiple miles and the way it’s divided up by roads and habitations (and how those have changed over the millenia).
Roads slicing up the landscape: taken above the Roman Signal Station at the foot of the Sma’ Glen, looking south-east over the Highland Boundary Fault to Fendoch Roman Fort (between the pylons and Stroness hill in the distance) and thence along Glen Almond.
The intended road from Rosal due east was closed for road-works; I took an incredibly long detour all the way to the far north coast of Scotland – next stop the Faroes and Greenland – and stopped at Portskerra to make a couple of long exposure landscapes as the light faded to dusk.
The coastal geology was impressive – alternating areas of gneiss and sandstone with clear strata in the rock.
Portskerra at dusk – a long exposure of waves lapping around rocks on the beach looking north – next stop Greenland…
Dounreay in the distance beyond the next headland
This was a strange place of varying thoughtfulness. Having previously visited Aoineadh Mor and found its handful of ruined crofts more thought-provoking, this was rather the opposite experience: having far more settlements dating back thousands of years including cairns, a souterrain and remains of crofts, with a history of particularly brutal evictions, there’s no real viewpoint from which one can see the extent of the clearing and experience all the time or place at once, so it lacks a certain atmosphere.
One thought, however. The Highland Clearances were mostly for the purposes of replacing crofting (seen as not cost-effective) with sheep farming (supposedly profitable). In practice, it’s a story about commercial failure: the sheep did not prove profitable, rendering the grassland barren; the monoculture spruce woodlands being farmed as the latest cash-crop are also barren, failing to nourish the land; the eviction of folks living a subsistence existence (which increasingly feels the innocent honest approach) was an offence against humanity – and yet the blasted sheep still remain.
The state of the Forestry Commission’s tourist information boards also being cast down on the ground, however, did provoke thought – is that sheer vandalism, an artistic statement about care and decay of property, or super-artistic irony that preservation itself should go the same way of all things?
The landscape did provide a few moments of beautiful contrast, illuminating the foreground trees against the shadowy dark might of Ben Loyal, however:
Ben Loyal from Rosal Clearance village
Strathnaver is a beautiful area – rural life, peaceful and quiet, where the only traffic jam is a herd of sheep trundling along the road beside the loch. Simple and elemental, a play of sky and land, light and limited human influence.
Outside Altnaharra:
Beside Loch Naver:
Of course it is also very much Runrig territory; sitting at the end of Strathnaver, it suffered in the Clearances – I wonder what size of catchment area is required to keep that primary school active.
Thanks to my friends Fox in the Snow Photography over on Facebook for their permission to steal one of “their” favourite trees in Glen Devon as a photo location this past weekend. Less gratitude for the attendant weather, however!
On approach, leaving the car across the road, there was quite a white-out blizzard – snow blowing up the glen, everything shades of grey, low clouds. There’s a whole hillside lurking behind the tree here, not that you’d notice:
First things first, I established it’s an Ash, Fraxinus excelsior. That probably explains some of the funky characterful shapes.
I had a bit of fun exploring the various compositions around the tree. The obvious thing is to get the whole tree in the frame, from sufficiently low on the ground to obscure the road behind, letting the visible grass merge, flowing, into the background.
One idea I’d had was to emphasize the curve of the split trunk by using it to fill the frame, leaving the branches and twigs flying around in the wind during a long exposure, Medusa-style:
Fortunately the spooky mood didn’t last long, as the weather was coming and going in alternating waves of white-out cloud and brilliant sunshine flowing over the tree.
An exercise in uniformity: over the course of three days, I took the camera out for an hour’s walk, using the same settings (28mm f/3.5, auto-ISO, centre-zone auto-focussing) and took snaps – free-form composition, quickly grabbed, around the streets and countryside surrounding Auchterarder and in woodland outside Cambusbarron, Stirling. Every image was processed using the same settings in RawTherapee (with slight changes to exposure) and the same black+white sepia-toning.
From each day I chose the best 19 and averaged them with enfuse, slightly tweaked the contrast. Presented together they give an impression of abstract canvas texture with the merest hints of structure.
I’m not entirely sure why, but I got it into my head to make a series of photos without reason or purpose so I spent a couple of lunchtimes walking around Auchterarder just snapping scenes. Very different to my usual contemplative landscape style – this is reactionary, street photography, with a consistent presentation style (sepia-toned monochrome). All images were shot on a Pentax 15-30mm f/2.8 lens at 30mm nearly wide-open at f/3.5 as well using a daylight whitebalance.
Funnily enough, reducing the variables by insisting on one focal-length and aperture and allowing automatic exposure left me free to think about composition – in such relatively alien territory, wave the lens around and see what looks good.
Around town:
I took the new-found constraints into the surrounding countryside:
Country 2:
All images processed using RawTherapee; uncropped, but exposures normalized and the consistency of toning arising from an orange pre-filtered black and white conversion with sepia toning to finish.
A simple set of three photos from above a field outside Muthill, the Strathearn landscape thickly covered in snow.
I’ve shot one of these trees before…
One of my favoured locations for a quick hour’s stroll in Argyll is Glen Nant, south of the village of Taynuilt; in particular the Ant Trail which leads you through a small Caledonian forest – not very reserved as many of the trees were felled a couple of centuries ago to fire the furnaces at Bonawe, but it seems folks have repented a bit since then.
Herewith, some more back-to-earth simple landscapes: Ben Cruachan from Glen Nant and a couple of intimate landscape studies.
Finally! It’s been only a dream for about 10 years but I have a new photo workflow – and one involving photogrammetry not just photography, too:
Boarhills Church, East Neuk, Fife – 3D model rendered in Blender
OK, so it’s not quite as good as the native HDR off the drone but it will allow for even more flexibility in future artwork 🙂
Just one photo – from Sunday afternoon, flying the drone along Glenshee just down the A93 from the ski centre at the Cairnwell.
Some years ago, Dad and I went up the Cairnwell and as we were at the top, watched a Hercules flying down the glen, below us, banking left at Spittal of Glenshee. Nice to be able to fly the area myself now!
Technicalities: 2 deg Celsius outisde, very low cloud base (easily within the drone’s permitted altitude but best avoided); an HDR panorama of 4 frames ISO 100, f/3.5, 1/400s (varying), processed in dcraw and stitched and finished in Serif Affinity Photo.
The zig-zag harbour wall at St Monan’s is one of those iconic photographic locations where it’s impossible to pitch-up with tripod on top of the wall without being joined by multiple other photographers all seeking to perpetrate much the same cliché photo.
A much-shot photo, the zig-zag harbour wall at St Monan’s, Fife
Being stuck in Fife already, I called in at the village and sent the drone up to explore.
One of the first things I noticed is a tiny sign on one of the harbour wall ladders, warning the walk-way is closed. On aerial inspection, it’s possible to see the extent of damage it’s obviously suffered in the winter weather.
Winter weather erosion: the corner of the zig-zag dead-centre in the frame is obviously damaged
I was also very pleased to take a couple of new shots from the aerial perspective, straight down on the zig-zag – it shows how much the land-locked view compresses perspective. The water showed up a beautiful shade of green in the sunlight – and one can make out interference patterns of the waves and their reflections off the harbour wall:
I also nabbed a couple of views of the village, particular the Auld Kirk to the west and the view back across the harbour to the east.