Two photos from a stroll down the road on a warm summer evening
Prints of The Leader are available from my photography website, ShinyPhoto.
Two photos from a stroll down the road on a warm summer evening
Prints of The Leader are available from my photography website, ShinyPhoto.
A year or so ago there had been a drone pilots’ meet-up on the shores of Loch Leven in Kinross. Late Tuesday afternoon showed indications from TPE3D and Windy suggesting the light would be pleasant, clipping the surrounding hills around sunset. Further alerts from Twitter reminded me of a partial lunar eclipse, with optimum effect around 2235hrs; again, checking TPE3D I saw the moon would rise in the ESE beside / over Benarty Hill across Loch Leven.
Arriving a little early, I hunted a composition: the obvious jetties by the carpark at the end of the road have locked gates, as does a track along the shore; walking further round, it’s obvious there’s scenery to be had but the path is surrounded by a 5′ hence making it incredibly frustrating to find a composition. In the end I settled for a “layby” with three concrete plinth benches, just tall enough to see over the hedge and just wide enough for the tripod legs.
With half an hour to kill before the lighting and lunar eclipse kicked-in, I flew the drone to survey the surroundings.
Around 10pm the moon sneaked out from behind a cloud-bank over Benarty Hill, a perfect orange-red half-jaffa-cake in the Earth’s Shadow.
The last photo of the evening is still my favourite: can’t beat a few hazy clouds diffusing the glow of the still-red moon.
A few photos from Sunday afternoon’s explorations around Loch Rannoch.
We walked through the Black Woods; whilst flying the drone near Camghouran I discovered remains of a building – a pile of stones and hints of mounds in the earth possibly in the shape of a former but’n’ben croft? – in a clearing in the forest.
Sunset on the shore was beautiful; contrasting deep blue ominous dark blue clouds and vibrant orange sunset across the water.
Prints of some of these photos will be available through my ShinyPhoto website: photos around Loch Rannoch.
I’ve been over 3000′ twice before now – but for one I stopped short of the summit, and for the other we took the ski-lift up, so neither really counts as Munro-bagging.
In the Christmas/New-Year holiday week, friends and I spent a happy day climbing Schiehallion – a mountain we’ve known and photographed for a long time, but actually climbing it was a first, at least for some of us.
We couldn’t have asked for better conditions: fresh but basically dry, all the way up with mist blowing around the summit.
The top third is a tricky scramble over large boulders, but the view was totally worth it – my first Munro, my first glory and Brocken Spectre all in one.
On the way down we paused to admire the surroundings – an interplay of light, mist, undulating lochs and landscape and more mountains.
Bring on the mountains – I have climbing to be doing 🙂
Saturday’s involved driving much of the length of the A9 from Perthshire to Inverness and beyond to the Nice Place™, and back down again.
On the return, I broke the journey in two locations I’ve previously admired but never stopped at: one, outside Bunchrew outside Inverness, to admire the clear view along the river estuary to the Kessock Bridge:
Odd: I’ve lived around Perthshire for over a decade and driven this stretch of the A9 many many times, but never explored Ruthven Barracks before. I was fortunate enough to arrive just as the moon was rising in the north-east – a lot larger by eye than it appeared in the photos, but it made a good backdrop to the ruined buildings. Otherwise, in the cold late afternoon light, the ground covered in a dusting of snow, it all looked rather bleak…
For a final subject, just as I was packing up the drone to leave Ruthven Barracks, I noticed a splash of soft light on very low clouds clipping the Cairngorm mountains in the distance. Long lens; click; got it.
We made it up to the Rannoch area mid-afternoon in time to admire the pure calm stillness and misty distant mountain reflections on Loch Rannoch.
(Obligatory plug – the above image is now uploaded to my main fine-art / landscape website: Blue Stillness, Loch Rannoch.)
Drone photos also happened – flying around inversion layers over the Black Woods of Rannoch.
And the forest was its usual welcoming self, albeit in subdued winter mode:
A couple of weeks ago in the middle of December, we were treated to a quick overnight blast of snow. It remains my favourite season for photography, so I staggered up Birnam Hill to fly in the late afternoon light.
Landscapes:
Straight-down abstracts – trees and outlines of the Birnam Burn flowing through the snow:
Ground-level tree abstracts:
As an experiment to help learn my way around the Shotcut video editor, I made a short video of the area too:
Saturday was one of those strange days where the weather forecast changed, leaving me not particularly inspired where to go take the camera. But I carried on regardless up to Kinloch Rannoch and climbed Craig Varr. The views on the way up were pleasant: nice trees silhouetted against the sky, views along Loch Rannoch; as I reached the top of the crag, however, the mist came down reducing visibility to barely 100yd with low cloud flowing over the trees in front.
Descending, below the cloud level, I could see clouds zipping along above Loch Rannoch like a steam-train, the mountains opposite appearing and receding in the mist.
Many moons ago… the parents and I were on holiday around Caithness and having trouble finding the way to Whaligoe Steps. As his tractor turned by the end of the field, we stopped a farmer to ask directions. To southern ears, the instructions sounded memorably like “turn right at the fussky-osk”. With a little thought we established the meaning… and twenty-two years later I still remember the turn of phrase and was pleased to identify the first phone-box in this Spring’s return visit.
Whaligoe Steps themselves are 365 steps down the side of a steep cliff to a former port for offloading herring boats; women would gut the fish and carry it up in barrels.
The place itself is quite an impressive geo with a fault nearby in the rock – strata lines pushed up by thrust – and pleasant views out to sea.
Further down the road are Camster Cairns – quite impressively large piles of rocks with interior chambers, perhaps the oldest buildings in Scotland at 5000yr old.
It had been another ludicrously hot day, with temperatures up over 25-28ºC, so we finished the day’s explorations on the north coast at the Slates of Fulligoe in East Mey, where the setting sun was partially obscured by a thick sea haar – very pleasantly cool.
Simple pleasures. Two photos of clouds catching the evening sunset light.
I spent a happy evening exploring the Quoig area in Strathearn – the floodplain of the river Earn between Comrie and Crieff, south of the A85. Disused railway line, Sir David Baird’s monument and a luscious sunset. Can’t complain 🙂
It was one of those crazy late-spring days with a clear divide in the weather – everywhere north of the highland boundary fault was meant to get extreme precipitation, while Fife and Angus remained cool and dry. So we walked for a while in the West Woods of Ethie, admiring the lines and shapes of tall beech trees and subtle light and shade under the canopy.
I’d never really explored much of the Aberdeenshire coastline. On Saturday, however – feeling liberated from EV range anxiety – I discovered Catterline, just south of Fowlsheugh and Dunnottar. Towards the end of a beautiful sunny day, with just enough low golden light on the landscape… I had to fly the drone a bit, too.
The coast enjoys many large rocky outcrops (all conglomerate for a few miles around):
Perhaps my favourite shot is one of the more unusual by my standards: quite a thought-out composition of receding layers of rock, with the cliffs behind casting a huge shadow mid-way up one of the rocks, with Todhead Point lighthouse in the distance – near and far, light and dark, mankind and nature all rolled into one:
Not bad going for the little Fuji camera; having set it to f/16 for depth of field, I’m surprised it chose exposures 1/52s and 1/26s at ISO 1600 and 1/60 at ISO 1000 for its HDR bracketing, but the results are excellent, no noise problems even in the shadows.
To finish, a simple statement of peace: nothing much, just sky above, a gentle disturbance in the sea below; all is calm, all is blue:
A few weeks ago, I spent a happy Saturday afternoon strolling around the Birks of Aberfeldy, testing the newly acquired Fuji X-T20.
For context, a general landscape of the lower end of the gorge with the Moness water flowing around rocks and pebbles in the riverbed:
For consistency, everything else was shot coupled with the Helios 58mm f/2 lens using the Acros+Yellow black&white film emulation mode and ISO 200.
Some abstract tree foliage patterns:
Details of tiny flowers closeup:
Of all the mini-waterfalls up the left side of the gorge, I’m particularly fond of the way the water flows over the moss on this one:
Statue of Robert Burns sitting on a bench:
Shortly after these photos were made, the heavens opened – a huge cumulonimbus cloud the shape of the Starship Enterprise disgorged itself over a lot of Highland Perthshire, flooding the roads in Aberfeldy itself; as I was walking down the north side of the gorge, it was quite disconcerting feeling the sandy gravel getting washed away in the channels underfoot. Fun fun!
Some more tests of the Fuji X-T20 in low light conditions.
Summer has the worst daytime light for photography with harsh shadows and washed-out pale tones; however I love the night sky with its permanent twilight (at this latitude) giving cobalt blue sky with hints of the sun’s warmth just below the horizon.
Plus it’s more comfortable than winter astrophotography 😉
Three studies in cloud structure – nature’s abstract patterns and a tiny blob of light of a hamlet across Strathearn:
Continuing the anthropocene-influence theme, glorious blue, red and pale clouds in an orange-tinged sky against a tiny pylon breaking the horizon: