Early Autumn at Glen Affric

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A year without a trip to my Nice Place™ just wouldn’t be a year. It had to be done – in a moment between lockdown and further covid-19 restrictions, I nipped up to Glen Affric for a few hours.

Some intimate landscape views:

  • Vibrant colours in the soft light, days shortening at the start of autumn, Glen Affric.
  • Vibrant colours in the soft light, days shortening at the start of autumn, Glen Affric.
  • Vibrant colours in the soft light, days shortening at the start of autumn, Glen Affric.
  • I don’t think I’ve ever seen the water levels so low as this in the famous waterfalls on the River Affric

I also flew the drone around a bit. Lovely light, getting a better overview of the extent and distribution of the Caledonian Forest, river, mountains and haze into the distance.

  • Some of my favourite trees – Scots Pines in the Caledonian Forest reserve at Glen Affric, with Loch Affric and Sgurr na Lapaich in the distance.
  • Some of my favourite trees – Scots Pines in the Caledonian Forest reserve at Glen Affric, with Loch Affric and Sgurr na Lapaich in the distance.

Some years ago, I had visited the glen in the middle of winter, with temperatures a degree either side of freezing, thawing slightly as the morning progressed. I was struck by a pattern of foam flecks on the water – particularly with a fine layer of ice just millimeters below the surface, over which the foam flowed. It moved so slowly, an abstract pattern messing with my eyes trying to work out how it moved. And I was surprised, because a couple of hundred yards upstream, the river had just travelled over a couple of waterfall cascades – so where did all the energy go? With a little thought, the river changes from wide yet rapid to deep and slower, with a yet deeper central channel in a V-shape.

This time, I flew the drone over the same mouth of the river, looking straight down onto the surface. This perspective makes the patterns of the foam all the more apparent – not just a difference between the central streak flowing faster, but a semi-regular pattern in the pattern against the far bank – indicating submerged boulders.

Foam on the River Affric outflow into Loch Beinn a’Mheadhoin

Unlike previous years’ visits, where I gravitate toward early mornings, this time I had arrived late in the afternoon, with just enough time to fit in a stroll before the light faded.

The light faded.

My favourite trees looked really rather pleasant in softer light, part-silhouetted against the sunset:

Beautiful soft and gentle light – my two most-favourite trees standing on a small rise of glacial moraine, silhouetted against a grey-blue sky.

Then, in conventional fashion, night fell. I’d never been up at the Nice Place to watch that happen before, but it was magical. I stood at the famous viewpoint near the memorial, watching the clouds skimming overhead from the north as the moon rose – with Jupiter and Saturn nearby, and noticed a moon-dog aka paraselene – the first time I’ve seen such a thing, an analogue with a sun-dog during the day.

Moon-dog (paraselene), Saturn and Jupiter

Finally, with night thoroughly underway, I made a photo of the well-known view looking along the length of Loch Affric toward the mountains of Kintail in the west – the landscape bathed in moonlight, all cool blue with the barest hints of structure and even less colour in the otherwise reddy bracken.

The mountains of Kintail from Glen Affric by moonlight

Prints, masks, cards and other products based on images above and others, are available from my ShinyPhoto website: Glen Affric.

Glen Clova

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A couple of years ago, a photo-friend and I spent a happy afternoon exploring Corrie Fee in Angus; I remembered emerging from the trees in an impressive bowl of a glacial corrie. In August, I sought to repeat the experience, starting from the carpark nearby, but in my haste to get off the ghastly Forestry Commission track (more like a hard gravel road ploughed through the forestry, complete with yellow metal gantries), I wound up taking a different path. It also emerges from the trees into a bowl of a glacial corrie, but felt different and I couldn’t work out whether it was the wrong exit from the woods or what.

Came home and checked the geotagged images to find it was not Corre Fee but Glen Clova instead. That would explain a lot of things! And unsurprisingly, I now use ViewRanger to navigate whilst hiking.

Still, a couple of hours bumbling around in the grass finding interesting photos in a dramatic bit of landscape on a moody afternoon… Can’t complain.

As I was stumbling around in the foot of the glen, I stumbled across this lovely little burn tumbling its way through the hillside:

The surrounding rocks are quite dramatic – I was amazed at the green and purple hues of moss and primitive plants growing on the crags around

And much as I know the forestry is entirely artificial now, it still drapes over the landscape like a cloak.

Around a Graveyard

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A small set of photos made in Kinnoull Graveyard, Perth.

A friend from the photo-society had posted a handful of photos of this graveyard on facebook a few days previously, so I had a few ideas for scenes to shoot when we went there last November.

In particular, the obvious manipulated moody photo is an example of bokeh-panorama aka Brenzer technique – using a comparatively long focal length lens at wide aperture to narrow the depth of field and stitching a panorama to restore the field of view angle. In this case, it was a Zeiss 50mm f/2.8 lens, but the resultant shot would require a lens of 13mm f/0.85 to achieve in a single exposure.