It’s a classic viewpoint – at the head of Loch Tay standing on the shores at Kenmore, looking down the length of the loch past the Crannog and island to mountains in the distance. Even without dramatic contrasty sunlight, it didn’t disappoint.
For the record, these were both 8-second exposures, around f/4.5 and ISO 400 using a Nisi circular polariser filter to balance the light between sky and reflection. Both images are a pair stacked for noise-reduction.
Detail of blades of grass poking throuhg a frozen Lochan na h’Achlaise, Rannoch Moor.
At the end of November I spent a happy Saturday afternoon driving out to the Black Mount area in Rannoch Moor, with photos in mind.
Didn’t help that I left the main camera battery at home in the charger, so was limited to the spare. Well, it makes one think when even turning the camera on to compose through the EVF uses finite battery life, especially in the cold. Lots of “pre-visualising” going on to keep the film-throwback photographer purists happy.
There were plenty of cars zooming along the A82 but a little stroll out into the bogs resulted in some nice landscape.
The crowning joy of the photographic excursion, however, was the total cliche scene of the Buachaille from the River Coupall. It’s sufficiently well-known that folks groan when it appears in photo-club competitions. The composition is more or less fixed, with varying extremity of weather conditions providing the value-additions to the photo.
This time, I spotted a little wisp of mist coming up Glencoe as I turned off down Glen Etive. There were only two other folks at the location; they said it was their second attempt that day as, on the way down the glen, there had been 20-30 folk milling around.
Funny how such an iconic landscape location still has people who will shoot it in suboptimal light.
We took a few photos, and dusk fell, with glorious shades of warm purple tints and an orange sky.
My temporary companions departed, leaving just me – well into post-sunset dusk blue-hour – at which point the wisp of mist rounded the base of the mountain underlining it in white to match the waterfalls in the river. And that is the shot of the day.
Stob Dearg – Buachaille Etive Mor from the River Coupall, Glen Etive
Just a couple of photos from a stroll beside a burn down the bottom end of town today at lunchtime – not great light, in fact it was beginning to rain. But if looking up doesn’t work, look down and take abstract photos of trees reflected in the burn instead…
My friend Tom and I went for a stroll in the West Woods of Ethie in Angus. Not a woodland I’d encountered before, but it was quite magical in some ways – quite conscious of lurching from one clearing to another, surrounded by the characteristic shapes of beech trees in their green and yellow-orange autumn plumage.
For a slightly more immersive view of the woods… click this and wait a while 🙂
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Today’s random philosophical question: is landscape photography actually deterministic?
Research maps. Check weather forecast. Think about time and location and the maximization of opportunity. Take camera and go. Point it at things. Come back, process to some degree of satisfaction.
The process is certainly repeatable and it takes an incredible amount of luck to sway the results.
A couple of weeks ago, having passed by the village a couple of times this year on other travels, I set out for Acharn on the south side of Loch Tay with intention of using camera and tripod. They were duly deployed. And here are the results…
I was particularly pleased with the last pair, longish-distance zooms across the gorge to the water cascading over some very silvery-grey rock with two tree branches aligned like chopsticks beside the splash-down.
Finally, just for a sense of context, a making-of snap from the phone – this is how the last two were made:
There’s a couple of picturesque views to be had just below the hotel at Inversnaid harbour – the waterfall cascading down amongst the rocks one way, and opposite, a line of boulders leading toward the Arrochar Alps across Loch Lomond. Can’t complain.
I don’t often use the Pattanaik algorithm in LuminanceHDR, especially for colour results, but it seemed to work really well with the waterfall, nicely balancing low-key levels and saturation.
A few months ago now, I spent a happy Saturday afternoon driving around the countryside – visited some old haunts and refreshed memories. I had it in mind to spend some time shooting the well-known statue Still by Rob Mulholland in Loch Earn at St Fillan’s, but was more taken by the landscape en route – a little mist rising off a forest, clouds so low they obscure the outlines of the mountains.
So the majority of these photos were actually taken whilst parked in a layby off the A85. But I couldn’t possibly admit to that. 😉
More experiments with the Olympus 7-14mm lens: a study in trees around Glen Lednock.
I thought I’d not experimented with the 7-14mm lens much, so set sail for one of my favourite haunts – the Wee Cauldron in Glen Lednock just outside Comrie.
The Hermitage, by Dunkeld, has a very attractive woodland walk by the River Braan. At one time it used to boast the tallest tree in the Britain, although that honour has since moved to other forests. The Black Linn waterfall and gorge are most impressive.
A few photos from a stroll around some of my favourite Highland Perthshire woodland, the Black Woods of Rannoch. A great way to spend the afternoon – chilling out with camera admiring the light and shadows among the pine trees
It’s been a year or so since I last strolled around the Birks – high time to check all the waterfalls and trees are still there. (Spoiler: they are.)
With a couple of hours to spare on Sunday afternoon, I revisited the Falls of Bruar. Even on a grotty wet day there were plenty of opportunities, around the lower bridge.
It’s at least the 8th time I’ve been there – but the geology is impressive as always with the natural arch formed by the river eroding the local rock (mostly psammite, as with much of the Highlands).
Some experiments with Live Composite mode on the Olympus Pen-F, as well as the usual (for me) high-resolution mode; everything taken using a circular polariser and ND4 filter for longer exposure times. Having made initial RAW conversions using RawTherapee, everything has been passed through LuminanceHDR to even-out the white-balance and tonemap for better image tone. (In cases where there’s only a small area of light in the frame, such as these flowing waterfalls, the Pattanaik algorithm can give interesting high-contrast results – set the gamma to about 0.3 and the frame turns mostly black with just the highlights remaining.)
It’s been a lousy grey and wet day – definitely dreich – here, so here are a few photos of a walk I took down the road one evening a few weeks ago, on a lovely sunny day.
Graveyards? Not exactly my usual photographic cup of tea, but OK then…
Landscape is a bit more my scene, however. There’s some lovely undulating pastoral scenery around here, with views across to the distinctive shape of Ben Effray.
All photos made using the Olympus Pen-F and the four-thirds 12-60mm f/2.8 lens using 5-shot handheld HDR technique.
I’m losing count of how many times I’ve been up Birnam Hill near Dunkeld, which is no bad thing.
My favourite waterfall is still running and the scenery from Stair Bridge viewpoint, overlooking the line of the Highland Boundary Fault running past Rohallion Lodge is still beautiful.
Herewith, a comparison of colour vs black-and-white renditions.